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Title: Coda
Details: PG, ~6,800 words, McKay/Sheppard. Set a year and a half after the end of Unidentified.
Summary: In music: a more or less independent passage, at the end of a composition, introduced to bring it to a satisfactory close.
Notes: Spoilers for the original story, and this won't make much sense if you haven't read that. If you liked where Unidentified left off, there's no particular need to read this; I wrote it to satisfy my own curiosity about what happened down the line. Many thanks to![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
secrethappiness for betaing.
Download the soundtrack / Go to the index post for Unidentified
( 'Write the algorithms and a computer could do this -- structure, harmonies, dynamics, the whole shebang,' Rodney told him. 'If your instructions were thorough enough, it might even sound pretty good. But that doesn't mean it'd be music.' )
Details: PG, ~6,800 words, McKay/Sheppard. Set a year and a half after the end of Unidentified.
Summary: In music: a more or less independent passage, at the end of a composition, introduced to bring it to a satisfactory close.
Notes: Spoilers for the original story, and this won't make much sense if you haven't read that. If you liked where Unidentified left off, there's no particular need to read this; I wrote it to satisfy my own curiosity about what happened down the line. Many thanks to
secrethappiness for betaing.Download the soundtrack / Go to the index post for Unidentified
( 'Write the algorithms and a computer could do this -- structure, harmonies, dynamics, the whole shebang,' Rodney told him. 'If your instructions were thorough enough, it might even sound pretty good. But that doesn't mean it'd be music.' )